GANGS OF WASSEYPUR POSTER MOVIE

No matter how whimsically the tale is told. It is thus not a circle but a spiral, this narrative, and concentric storytelling can be awfully repetitive. The first shot from Part One appears here, not as Part Two's climactic sequence, but somewhere after intermission and a long way from the end. Yet the film, eventually, starts to wheeze under the weight of its own winking. We who do buy gladly into Kashyap's madness. Indeed, Tigmanshu Dhulia's geriatric godfather even claims the only reason he's outlived all his foes is because he doesn't watch movies. Despite his mercurial rise, he starts becoming less relevant at a time when Shah Rukh films dominate the worldВ - DDLJ plays in Wasseypur movie-houses even as Dil Toh Pagal Hai posters promise the futureВ - and when Definite, his hairdo-loving heir apparent, hears there might finally be a warrant to his name, he sings the Maine Pyaar Kiya lyric ' Pehli pyaar ki pehli chitthi' in the hope that he might finally graduate with criminal dishonour.Д¬omposer Sneha Khanwalkar's super original songsВ - Kaala Re is this film's big, big winnerВ - is overshadowed by familiar songs from our past. Faizal fashions himself after Amitabh Bachchan but snaps when realising he might actually be Shashi Kapoor, Bachchan's frequent sidekick, instead. Kashyap's film, in fact, is a lot about our cinema. His bastard brother DefiniteВ - played very well by the film's writer Zeishan QuadriВ - is a fatally fearless opportunist and a Salman Khan devotee: a tribe who, as I've come to know over my years of messageboard feedback, are singularly frightening and most unpredictable. A schoolboy, slippery of tongue and morality, is named Perpendicular and fellates razorblades for fun, a character as memorable as can be. The men have no such overarching narrative requirements. There is a visible Indira-ism to her look, just as there is a touch of Jayalalitha to her rival Reema Sen's visage: the wife and the mistress, the mothers presiding over the great, guttural divide. Huma Qureshi's Mohsina is a plucky stunner who fearlessly keeps Faizal on a leash, while the marvellous Richa Chaddha, the highlight of Part One, impressively evolves into a sunken-eyed but perenially confident matriarch. The women are as important to the proceedings as the men, if not more, even if deprived of screentime. When on the Three:Ten To Huma, so to speak. With the ruthlessness of a pissed-off panther, Siddiqui's Faizal goes on the warpath, a natural despot softened only when rushing towards his voluptuous lady. It is here that we see the uncaged intensity of Nawazuddin Siddiqui, alone reason enough for this film to be celebrated. Younger brother Faizal, forever crafting a mix for his chillam, couldn't care less until eventsВ - and a scornful motherВ - jolt him out of stoned apathy. Manoj Bajpai, patriarch of the first film, is gunned down a la Sonny Corleone, his sudden death immediately turning his eldest son, Danish (a compellingly great Vineet Singh) into a slaphappy Sonny himself. This one's a rideВ - albeit not one for the queasy of stomach or the impatient of bladder. Everyone's having a blast (often literally) and while these savage characters inexplicably decide, after a while, to hold off on the actual revenge angle of the saga, the digressions are often written, performed and shot with enough ingenuity and cinematic panache for the story not to matter. His badlands have now more puns than guns, and there is much ludicrousness on offer. Part of this is because Kashyap, in pulling out all the stops, seems content here to let his madcap characters actually enjoy themselves a great deal, making for a far sillierВ - and decidedly more joyousВ - cinematic universe. Having dispensed with the potatoes, this film's pretty much all meat. Gangs Of Wasseypur II is a damned sight better than the first part, because a lot of the cumbersome subtext is already out of the way when the impressively visceral khoon-kharaba of the second film begins. Who shot first isn't as important as whose shot looked sexier.ДЄnd lest that sound like a deterrent, I assure you it isn't.

GANGS OF WASSEYPUR POSTER MOVIE

That is strictly all we need to know, the rest falling into place as it goes along.Д«ackstories and complicated genealogies are frankly rather extraneous in this bloody, bullet-riddled Anurag Kashyap world, where we choose our allegiances to characters based on the movie stars they idolise and the songs they hum. G angs of Wasseypur II plunges straight into action, rendering the first part nearly redundant.ДЄ man dies, and revenge is sought. Anurag Kashyap shines once again in the concluding part of Gangs of Wasseypur even though the film is a tad too long, writes Raja Sen.

Gangs of wasseypur poster